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Recording Studio


• Neumann U-87 (1972 model)
• Neumann KM140 (2)
• Microtech-Gefell UMT70S (2)

• Schoeps CMC65 (matched pair)

• Sennheiser MKH8040 (matched pair),

  421 (4), 441,•

• Lawson L47MP Tube Mic
• AEA R84 Ribbon Mic

• JZ Audio BH-2 Blackhole
• Beyer M160 (2) Ribbon Mics
• AKG 414 EB P48 with Audio Upgrades        mods (2)
• AKG 460B’s with Audio Upgrades mods (2)
• AKG 460B’s stock (3)
• AKG 451 (2)
• AKG D112
• Michael Joly MJE-K47 custom NT1a mod
• Rode NTG-3 Shotgun

• DPA 4060A Lavalier
• Shure SM-7B (2), Beta 58 (2), Beta 56 (3),    Beta 52
• Shure SM57 (4), SM98 (2)
• Line Audio CM-3 (4),OM-1 (2)
• Heilsound PR-40
• Crown PZM
• Audix i5, D-1
• Electrovoice RE-20, N/D408A, N/D 308B, 635A
• Audio-Technica 4033 (3), 4051, 831B
• Audio-Technica ATM25, ATM35




• Demeter Tube Direct
• Countryman FET85 (2)
• Radial J48 (2)
• Whirlwind Director (2)



• Custom 12th Gen Core i9 PC with 64 Gig     RAM
• Avid Omni Interface w/Native Card

• Digidesign 192 8 X 8
• Apogee Rosetta 800 96 kHz AD/DA           Converter
• Benchmark DAC-1 Converter
• Mac Pro 12-Core w/64 Gig RAM
• MOTU 2408 II w/24 Digital, 8 analog I/O
• Macbook Pro 8-Core w/16 Gig RAM 
• MOTU 8pre-es Interface
• Symetrix SX203 Phone Interface



• Avid Pro Tools Ultimate (Current)
• Apple Logic Pro X
• Sony Sound Forge, CD Architect
• Sony Vegas Pro, DVD Architect
• Hofa CD/DDP




• Waves Platinum+
• UAD-2 Octo with many plugins
• All Native Pro Tools & Logic plugins
• Antares Auto-Tune
• Celemony Melodyne
• Izotope RX Advanced Noise Reduction
• Plus Exponential, Liquidsonics, Fabfilter    & Acon Stereo and Surround Reverbs,       Soundtoys, Sonnox, McCSP,  Audioease,   PSP, Native   Instruments, Cytomic,   Softtube and many  others




• JBL LSR6328P L-C-R Front Array

• JBL 6312 Subwoofer

• Blue Sky 6.5 Surrounds & BMC
• Ashly-Protea digital EQ’s on all monitors
• Auratone Cubes
• AKG, Fostex, Sennheiser, Audio-Technica    & Shure headphones

Music Amplifier Repair



• Aurora Audio GTQC Channel Strip
• API 3124+ (4 ch)
• BAE 312A
• A Designs Pacifica (2 ch)
• Buzz Audio MA-2.2TX (2 ch)
• Avedis MA-5 (2)
• AEA RPQ500
• Focusrite ISA428 (2 X 4ch)

• Broadhurst Gardens D.A.V.#2 (4ch)

• Audient ASP 800 (8ch)
• ART Tube MP (8 ch)





• Tube Tech CL1B Opto Tube Compressor
• Urei 1176LN rev F
• Urei 7110 (2)
• dbx 160X (2)
• Aurora Audio GTC FET/Opto     Compressor
•Aphex 661 Tube Expressors (2)


• Electrodyne 511 (2) 
• Great River Harrison 32




Over 1000 production music CD’s from:

DeWolfe, Non Stop, Music Bakery, Fresh Music, CUTZ, Footage Firm


Over a Terrabyte of sound effects from:

Hollywood Edge, Sound Ideas, Digiffects, M-Audio, Network, 3-D FX, Sonic Science, Sound Dogs, CBS, East-West, Nightingale, Serafini, Sonic Boon, Star Trek, SoundSnap, Bunker 8 

Plus an ever-expanding library of custom-recorded sounds and a growing number of boutique, specialized libraries

Mixing Console


• Huge Sample Libraries, including Vienna Symphony, East-West, Miroslav Vitous, Garritan, Scarbee, SAM Brass, London Orchestral Percussion, Stormdrum 1 & 2, RA, and many others
• Native Instruments Komplete
• Spectrasonics Trilian
• Korg Digital Suite
• Arturia Moog Modular V
• Toontrack EZ Drummer 2 with all expansion packs
• Slate Digital SD4 Drum Library
• Sonic Couture
• Music Lab Real Guitar




• Kawai RX series 7’ Concert Grand Piano
• Akai EVI Wind synth w/Yamaha VL70M &    Turbo Chip
• Arturia Keylab 88 key weighted hammer    action MIDI controller

• Kurzweil SP4-7
• Roland D-70

Systems Descriptions


Digital Audio

We work on both PC and Mac platforms, with multiple workstations and software that helps translate among a wide variety of programs. Each computer is equipped with up to a 24-channel digital interface.  


Analog Audio

Every analog point in the studio is accessible via a 480-point TT patchbay, which ties the recording booth,  converters, machine room, analog recorders and all analog outboard gear together. Additional signals from equipment brought into the studio may also be integrated via a 48-point TRS patchbay.



MIDI is accessible via an Emagic Unitor 8, with MIDI cabling available in any room.




Each workstation is equipped with two large monitors. There is a 40-inch monitor in the recording booth for ADR work.


Recording Front End

OSR has built a vast array of high-end microphones, preamps, compressors, EQ’s and converters. Our collection allows for any approach to recording, from minimalist and true to highly processed and colored. Because so much mixing is done entirely in the digital domain, we find that it is often desirable to capture, during recording, the unique sonic character certain analog gear can impart.



Mixing is done entirely in-the-box using our powerful workstations, with full automation for extremely detailed mixes and long-term recallability. A plethora of classic and current processing and effects plugins provides a wide variety of approaches, from complete transparency to over-the-top color.  


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